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WaveSpeed Video Watermark Remover

WaveSpeed Video Watermark Remover removes logos, captions, and other overlays from footage, rebuilding covered detail with inpainting that accounts for motion across frames.

Video editing

Based on verified input duration.

OfferingPrice (USD)
Usage rate$0.01 / input second
  • Based on the video input; billing steps apply in this order:
  • Round input duration up to a whole second.
  • Cap billed duration at 600 seconds.
  • Bill at least 3 seconds.
  • Round the total charge up to the next $0.01.

WaveSpeed Video Watermark Remover

WaveSpeed Video Watermark Remover takes an existing video and removes overlaid graphics or text. It fills the covered regions using surrounding visual information, with attention to how the scene moves across successive frames.

The reconstruction addresses texture, grain, and lighting so repaired areas fit the footage around them. It targets overlays ranging from translucent watermarks to moving corner logos and burned-in subtitles. Its handling of edges and fine detail is useful when an overlay crosses textured backgrounds or moving subjects.

What it's good for

Editors can use it to clear outdated branding from footage they are authorized to modify, or remove an earlier caption treatment before adding revised graphics. Cleaning a lower-third area can prepare a shot for a redesigned title package. It also suits localization workflows where existing on-screen text needs to be cleared before a translated treatment is added.

Model ID

wavespeed-ai/video-watermark-remover

Output Type

Video

Pricing

$0.01 / input second

Provider

WaveSpeed

Hosting

Protoface

WaveSpeed Video Watermark Remover

WaveSpeed Video Watermark Remover takes an existing video and removes overlaid graphics or text. It fills the covered regions using surrounding visual information, with attention to how the scene moves across successive frames.

The reconstruction addresses texture, grain, and lighting so repaired areas fit the footage around them. It targets overlays ranging from translucent watermarks to moving corner logos and burned-in subtitles. Its handling of edges and fine detail is useful when an overlay crosses textured backgrounds or moving subjects.

What it's good for

Editors can use it to clear outdated branding from footage they are authorized to modify, or remove an earlier caption treatment before adding revised graphics. Cleaning a lower-third area can prepare a shot for a redesigned title package. It also suits localization workflows where existing on-screen text needs to be cleared before a translated treatment is added.